One audience member at the San Francisco screening, during an open-mic Q&A, told Guzman he was a “fraud” and that he should be ashamed of himself for taking credit for taking down Pinochet. After the loud “Boos” and hisses (and one or two claps) died down, Guzman said, “You obviously don’t know what you...
Considering that Black’s music was written for a movie about a monster, it felt incredibly safe and tasteful. A more relentless, risky, and scary approach would have really made the night—and the Golem—sing. Read the full review here.
What do slick CGI and Rage Against the Machine have to do with 1968? Chicago 10 is a bizarre ride to the past.
A film about the Clash frontman includes all the little people that Strummer befriended, inspired, and pissed off along the way. My motherjones.com review of the film lives HERE.