In contrast to the propaganda posters of Shepard Fairey or the subversive stencils of Banksy, Slinkachu’s approach to street art is more subtle, more sensitive. You could easily walk right past one of Slinkachu’s installations and not know it’s there. His photographs are key: the close-ups make you feel like a participant, while the far-away shots leave you feeling like a spectator.

The full interview with street artist Slinkachu is at INTELLIGENT LIFE.

The Banksy buzz is getting old. For years, we’ve debated the identity of this British graffiti artist, whose work began appearing on Bristol streets in 1993 and now sells for record prices. (Though his auction prices have fallen between 30-50% in the recession.) Is he a talented prankster from Bristol? A subversive art collective? A dinner guest at Joan Collins’s house? A man named Robin Gunningham? Did he just paint his own self-portrait? And what do his spray-painted stencils really mean, anyway? Do we give him too much credit? Not enough? These riddles have long been fascinating, largely for their Rorschach-worthiness: Banksy’s anonymity has allowed us to turn him into what we want him to be.

The full post at INTELLIGENT LIFE